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News Reel (W/e 18th September 2011)


Tony Scott’s Top Gun is being converted to 3-D.


Ghostbusters will be back in cinemas this Halloween!


28 Days Later’s Juan Carlos Fresnadillo will direct the Highlander reboot.


Alcon Entertainment has announced plans to remake Kathryn Bigelow’s Point Break.


Maggie Smith, Tom Courtenay, Michael Gambon, Billy Connolly & Pauline Collins to star in Dustin Hoffman’s directorial debut, Quartet.


Jason Bateman reveals that the Arrested Development movie is “on course to be shot next year” & will be filled with celebrity cameos.


Tokyo film critic Chris Fujiwara has been appointed as the new artistic director of the Edinburgh International Film Festival.


Van Damme & Chuck Norris join the cast of The Expendibles 2.


Hugh Grant joins Tom Hanks for the David Mitchell novel adaptation Cloud Atlas.


Kevin Costner drops out of Quentin Tarantino’s next, Django Unchained, due to scheduling conflicts.

Jane Eyre **


Running time: 120 mins  Certificate: PG

Synopsis: Dowdy Jane Eyre (Mia Wasikowska), an orphan raised and mistreated in a boarding school, becomes a governess for the brooding Mr Rochester (Michael Fassbender).  A tentative relationship develops, but Rochester has a dark secret


Every time an interesting actress comes along they get shoved into a bonnet and corset before they know what’s hit them.  Look at Nicole Kidman who started out as a flame-haired BMX Bandit, high school ninja, firing distress flares into Billy Zane’s head, before Hollywood bleach blondified her and put her in crap like ‘Far and Away’ (Ron Howard 1992).  


Now it is Mia Wasikowska’s turn.  The beautiful Wasikowska, so good in HBO’s ‘In Treatment’ and the Oscar nominated ‘The Kids Are All Right’ (Lisa Cholodenko 2010) tries hard to look plain as literature’s most famous doormat.  She is fine here, but as with ‘Alice in Wonderland’ (Tim Burton 2010) she looks uncomfortable.  It could be the whalebone corset of course, but there’s a definite feeling of awkwardness present in her performance.  Ditto Michael Fassbender, who is better suited to contemporary pieces like his work with Steve McQueen. 


This version of ‘Jane Eyre’ does nothing innovative with the novel.  There is no need for it to exist. Amy Heckerling turned Jane Austen’s ‘Emma’ into ‘Clueless,’ (1995) to make it one of the best teen movies of the 90’s.  She modernised the material and made it seem fresh and interesting.  Director Cary Fukunaga’s approach is restrained to the point of inertia.  Inevitably there will be another version along shortly.  Please do something different.  Set it in space, or give Jane a comedy monkey sidekick, make it a porno, or cast it withMuppets. Anything except this, again, and again, and again. 

by Kevin Sturton

News Reel (W/e 10 September 2011)

Martin Scorsese, Leonardo DiCaprio & William Monahan, are to a reunite for The Gambler, a remake of the 1974 Kenny Rogers James Caan film.


Pride, Prejudice & Zombies’ Seth Grahame-Smith & Writer/producer pair David Katzenberg maybe writing a sequel to Beetlejuice.


Bruce Willis & Arnold Schwarzengger are set to return for expanded roles in The Expendables 2.


Ed Wood’s Scott Alexander & Larry Karaszewski are to write a script for Ridley Scott’s big screen adaptation of Monopoly.


Eddie Murphy will host this year’s Academy Awards show on Sunday, February 26, 2012.


Max Payne’s John Moore is directing Die Hard 5.


Nike making Back to the Future Part II shoes into a reality.


Coen Bros. 60’s folk music movie to be called Inside Llewyn Davis.


Romancing the Stone T.V. series is in development.


Could the title for the new Bond movie be Carte Blanche?


The Departed screenwriter William Monahan is working on the script for Sin City 2.


Dan Aykroyd & Judy Belushi (the widow of the late John Belushi) are pitching a television series based on The Blues Brothers.


Columbia Pictures is working on a remake of Flatliners with Source Code writer Ben Ripley to pen the script.


Steven Spielberg & Stephen King are teaming for a television adaptation of Under the Dome for Showtime.


Bruce Boxleitner confirms Tron 3 for a 2013 release.


David Koepp is to write the script for the Rob Marshall remake of The Thin Man.


Game of Thrones Hannah Murray has joined the cast of Tim Burton’s Dark Shadows.


Nick Nolte joins the cast of Ruben Fleischer’s Gangster Squad.


Josh Brolin has been cast in Spike Lee’s remake of Old Boy.


George Clooney is no longer involved with Steven Soderbergh’s film version of the cult spy TV show, The Man From U.N.C.L.E.


News Reel (W/e 28th Aug 2011)

A weekly round up of movie news:

Dan Aykroyd says that the plan is to film Ghostbusters 3 in Spring of 2012 with or without Bill Murray.


Fast Five director Justin Lin signs a two year deal with Universal Pictures.


The Last Exorcism sequel is in development.


The Last Samurai’s Ed Zwick is set to direct a movie about The Great Wall of China.


Ip Man’s Donnie Yen has been offered a role in The Expendables 2.


Christian Bale will star in Terrence Malick‘s next film.


Gladiator’s Djimon Hounsou has joined the cast of Paradise Lost.


Universal shuts down production on McG’s Ouija.


Jonah Hill joins the cast of Neighbourhood Watch.


Christian Bale is in talks to play the villain in Spike Lee’s Old Boy.



Rise of the Planet of the Apes: ****

Running time: 105 mins  Certificate: 12A

Synopsis: Scientist Will Rodman is researching a cure for Alzheimer’s. He takes home Caesar a baby chimpanzee after its test subject mother is destroyed. Will discovers that the chimp shows levels of high intelligence. But after attacking a neighbour, Caesar is placed into an ape facility where he learns the struggle of his own kind.


An odd choice of a franchise to resurrect from the dead, since Fox’s last attempt was a critical failure. But Tim Burton’s underrated re-imagining of the classic Planet of the Apes did make a fair chunk of change at the worldwide box office over 10 years ago.


Now it is British director Rupert Wyatt’s turn after his impressive debut with the prison drama The Escapist. As with most of these reboots the decision has been made to start from the beginning and how the apes became the superior race of the Earth. This works incredibly well as we have been given a little back-story from the original and the mediocre sequels, but we now know the full extent to how these animals became so intelligent.


The pace of the whole piece is relentless without hindering the overall plot. Within the opening scenes we are treated to an escaped chimp running amok throughout the facility. Then to Caesar’s overall frustration in trying to becoming human and after being turned over to the ape facility learns that he is a completely different creature. These scenes have genuinely touching moments that will move the audience.


This could have failed miserably if it were not for the astounding performances not only from the ape performers, but also from AndySerkis who has become a CGI character genius. The emotion and physical expressions that he gives to Caesar are bewildering in that the character feels and looks incredibly real. It will be very surprising if he is not on the nomination list for Best Supporting Actor at next year’s Oscars.


Weta have created absolutely breathtaking special effects, whether it is the character of Caesar or the amazing finale of a full ape uprising in downtown San Francisco.


The human characters are almost as good as their animal counterparts. Tom Felton proves that there is more to his career than Harry Potter with another nasty evil juvenile character. John Lithgow gives a heartbreaking subtlety to the role of the father. James Franco shows that he could be the next eccentric male character actor to hit the big time after Johnny Depp. Only Freida Pinto fails to impress, but this may be due to her fairly underwritten role of the love interest.


Not only is the surprise of the Summer, it is also one of the films of year and possibly the best of the franchise. Please Fox do not take another 10 years to make a follow up and while your at it give the job to Wyatt.

Reviewed by Paul Logan 

Cowboys & Aliens: ***

Running time: 118 mins  Certificate: 12A

Synopsis: In Arizona, 1873, Jake Lonergan (Craig) awakes up with no memory, a strange wound and a  manacle on one wrist. He discovers he’s a wanted criminal and was abducted by demons. The people of Absolution’s have been kidnapped by these creatures. Jake with town boss Woodrow Dolarhyde (Ford) will try and rescue the town’s folk.


The in thing with Hollywood at the moment is mashing up different genres to give a slightly different viewing experience to audiences instead of doing the usual remake or sequel. A stellar cast, capable director and some heavyweight producers give the film some clout, but is it entertaining enough?


When the film was announced it sounded like it was going to be extremely fun, but unfortunately this is not the case. The plot like the title is pretty silly and should have been an amusing take on the Western genre. What we have here is a far out concept that is taken way to seriously for it’s own good. The decision to make this a serious action film rather than something amusing in the way of Snakes on a Plane, almost singlehandedly destroys the tone of the film completely.


The first half has to be said is pretty good and sets the story up well with a mixture of impressive effects, exciting action and a few funny scenes along the way. But once we meet the Native American characters the film falls apart with so many questions asked and very few answered. Why Jake is given a weapon by the creatures that can destroy them seems very stupid and poorly conceived. While the less said about the terrible plot twist in the middle the better.


The cast copes well with the limited material given to them . Craig makes an interesting heroic loner, while Ford seems to be relishing his first bad guy role since What Lies Beneath.  But Olivia Wilde seemes wasted with very mundane role. While Favreau has engineered a technically impressive and visually stunning blockbuster. It is also a vast improvement to his previous movie the terrible Iron Man 2.


Many Screenwriters took over ten years to come up with a workable script and it shows. Poorly developed and underwritten with too many secondary characters. The tone should have been lighter and funnier. Entertaining, but just nothing unique or exciting to recommend it. The fact it has been outsmurfed by those blue midgets says it all.


Reviewed by Paul Logan 

News Reel (W/e 21st Aug 2011)

A weekly round up of movie news:

Ridley Scott has signed on to produce  and direct a new Blade Runner movie.

Disney stops production on The Lone Ranger in order to review budget costs.

Watchmen’s Patrick Wilson has joined the cast of Ridley Scott’s Prometheus.

Disney•Pixar announces two new films involving dinosaurs & the human mind.

Bruce Willis confirmed for G. I. Joe 2.

Mike Myers in talks to return for Austin Powers 4.

Kevin Smith to release his ice hockey comedy, Hit Somebody in two parts.

RED’s Mary-Louise Parker joins the cast of R.I.P.D.

Tony Scott may direct a remake of The Wild Bunch.

Bradley Cooper has dropped out of the reboot of The Crow due to a conflict in his schedule. Channing Tatum & Mark Wahlberg are both listed as possible replacements.

Gérard Depardieu is accused of urinating on a plane.

Driver’s Nicolas Winding Refn may get to direct his Wonder Woman movie, if Logan’s Run does well.

Rosamund Pike joins Tom Cruise for One Shot.

Warner Bros. & Robert Downey Jnr. are developing a U.S.S. Indianapolis movie.

A new Toy Story short will debut with The Muppets.

Super 8 ****

Running time: 111 mins  Certificate: 12A

Synopsis: In the summer of 1979, a group of young friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Soon after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth.


Director J.J. Abrams pays homage to one of his childhood heroes Steven Spielberg, with this coming of age monster movie that harks back to a golden time for cinema during the late 70’s and early 80’s.


The key influence here is Spielberg’s early classics Close Encounters of the Third Kind and E.T., but there is also a hint of Stand By Me especially in many of the kids’ scenes. It is set in a small suburb, features central characters that have personal issues that are causing problems within the family, there is a chase sequence with bikes and of course the creature is an alien. Even the look of the film has the auteur’s vision, with images made up of brown and yellow hue colourings.


Abrams has done an excellent job with the casting, especially with the kid actors some of which have never acted before onscreen. They are just so natural and emphasis the sense of childhood innocence during this time. The child characters are very stereotypical, but this harks back to early Spielberg films. There are no star names only minor ones which is great because it gives more focus to the story.


The story itself is extremely well written and paced with an even mixture of action and drama. Characters are throughly developed from all sides.


It does suffer when the big reveal is exposed in the last half hour of the film. Abrams has made a pretty awful looking monster which appears to be a left over design from Cloverfield with a little of the spider  creature blended in for good measure.


Even although the creature is a disappointment, the movie is captivating purely due to the children’s stories and the young actors themselves. In a Summer full of disappointments it is a relief that finally an entertaining event film has finally reached our shores.

Reviewed by Paul Logan 

Cars 2 **

Running time: 112 mins  Certificate: U

Synopsis: Lightning McQueen (Wilson) and his tow truck buddy Mater (The Cable Guy) travel to Japan to compete in the World Grand Prix. But Mater is mistaken by British spies Finn McMissile (Caine) and Holley Shiftwell (Mortimer) as an American agent and helps them with their latest mission.

Many Pixar fans regard the original 2006 film to be the weakest in the company’s impressive collection of animated features. Can a sequel improve on the previous story ?


Unfortunately directors John Lasseter and Brad Lewis have created Pixar’s first cartoon bomb. The central problem is the story and in particular the overuse of annoying redneck character Mater, who was really irritating in the first film and even more so here.


The writers really do not know what the film is supposed to be is it a spy story or like the original is it a racing movie. By fusing the two together the overall concept simply does not work. This must be the first time that Pixar have come up with a really bad story.


Then there are the new voices from Michael Caine, Emily Mortimer and Eddie Izzard who seem rather flat and lifeless, almost like they are just doing an interview on a talk radio show. There is just no enthusiasm or expression in the tone of their sppech. Only John Turtturo makes an impression as a arrogant Italian race car.


The animation as anyone would expect from Pixar is pretty spectacular and probably their best to date. It is just unfortunate that they chose to revisit a animated movie that was not great in the first place. Hopefully with the upcoming Brave they can show that the visuals and the storytelling are a return to form.


Reviewed by Paul Logan 

Tree of Life *****

Running time: 139 mins  Certificate: 12A


Synopsis:  On the anniversary of his brother’s death, an architect Jack O’Brien (Penn) remembers memories of his troubled  childhood in 1950’s Waco, Texas, with his  relationship with his strict father (Pitt) and caring mother (Chastain).


In just under 40 years, auteur Terrence Malick has only made five features within that time. Each one of these films has to be said are all exceptional with some of the best looking shots ever exposed on film.


For his latest film, Malick takes a personal subject (his younger brother committed suicide) and takes a whole new approach to making something which is slightly semi-autobiographical. It starts off with a serious of flashbacks remembered by Sean Penn’s character showing his earliest memories of his mother and father and the birth of his younger brother.


Then twenty minutes into the piece it ultimately turns into something different with not only showing the creation of a new life, but the creation of the universe and the big bang. With this follows a serious of stunning, bizarre and strange mixture of locations from galaxies, deserts and  prehistoric jungles. There is even a sequence involving a wounded plesiosaur lying on a beach, while another dinosaur comes along puts it’s foot on the neck of the other one and then moves on.


What is Malick trying to say in this sequence is unclear. Is it about existence or evolution or creation. One thing is for certain is that everyone who sees this film will have their own interpretation. 


Then we are taken back to Jack’s childhood and the relationship between him, his mother and his father. The mother figure provides the narration throughout, which ties in with the whole mother nature idealogy within the story. She is a kind, sensitive quiet soul who has to live with and endure her complex, bitter, disciplinarian husband. The couple are very much in love, but as the father takes more of his problems out on the children the marriage becomes strained.


Brad Pitt gives an astonishingly mature performance to his role and should certainly be considered for an Oscar nomination. Even although we as an audience tend to feel for the other members of the family more, there is some sympathy to be had for the father. The man has become disenchanted with his own life. His dream seems to have been becoming a musician, but he has failed in living up to that ambition and instead has resulted in working a mundane blue collar job. While it is not right that he takes his frustration out on his family, it is easy to see how he is feeling inside. 


The film has taken three years and five editors in order to make the finished piece. Mallick blends his stunning imagery with a mixture of classical music, which blends together beautifully.


While it is possibly Malick’s weakest film, in that at times it does not flow as well as it should and the ending feels like an abandoned television commercial. Tree of Life is also one of the most striking, well acted visually exciting films of the year. The movie will certainly split audiences, but given a chance is a very rewarding experience.


Reviewed by Paul Logan