Published: 316 articles

Scottish filmmaking Celebrated at the 70th Edinburgh International Film Festival

Edinburgh International Film Festival (EIFF) has unveiled a selection
of Scottish titles as part of the 2016 Festival programme. Featuring a mixture of features, shorts, documentaries, animations and exclusive events.
These films also include MOON DOGS, the feature film debut from renowned television director Philip John (Downton Abbey, Outlander). A stylish coming-of-age tale follows the misadventures of two teenage boys (charismatic youngsters Jack Perry-Jones and Christy O’Donnell) on a road trip with Caitlin (Tara Lee) and features a wealth of Scottish talent and locations.
Steven Lewis Simpson’s NEITHER WOLF NOR DOG will also take audiences on a journey – this time down the winding roads of Native American country, anchored by a startling performance by 97-year-old Lakota elder Chief Dave Bald Eagle.
Scottish actor Rose Leslie (Game of Thrones) stars in the comic family drama STICKY NOTES alongside Golden Globe-winner Gina Rodriguez and Hollywood heavyweight Ray Liotta as a struggling dancer striving to hit the big time in Los Angeles.
Angus Macfadyen, best known for taking on the role of Robert the Bruce in Mel Gibson’s Braveheart, will bring his directorial debut MACBETH UNHINGED to the Festival. A black and white modern-day retelling of the Shakespearean tragedy.
Emmy Award-winning Brian Cox will be in attendance for acclaimed comedy THE CARER, in which he stars alongside Anna Chancellor and Emilia Fox and western FORSAKEN with Donald and Kiefer Sutherland.
Ayrshire-born director Graeme Maley will also be taking two brand new features to the festival, with screenings of his Nordic film noir A REYKJAVIK PORNO, and the hypnotic Icelandic thriller PALE STAR.
Dougray Scott appears in the apocalyptic thriller THE REZORT, the latest feature from director Steve Barker who’s previous films, Outpost and Outpost: The Black Sun, were filmed in Scotland.
Animation fans can enjoy Five Animated Years of Will Anderson and Ainslie Henderson, as the Festival presents the first major retrospective of the inventive, wickedly entertaining work of the world-renowned pair of Scottish animators. Notable for collaborating on the likes of The Making of Longbird and Monkey Love Experiments. Their work has been recognised at festivals across the globe, each garnering an EIFF McLaren Award for Best British Animation in recent years.
EIFF Talent Lab alumni will be making their mark on this year’s Festival as producer Irene Gurtubai and Edinburgh-based filmmaker Ben Sharrock bring the director’s deadpan delight PIKADERO to local audiences.
Edinburgh-based director and Talent Lab participant Mike Day will present his stunning documentary feature THE ISLANDS AND THE WHALES, which sheds a light on the impact of the modern life on the Faro Islands.
Giuseppe Tornatore’s contemplation of the nature of love and loss THE CORRESPONDENCE. While Edinburgh based filmmaker Icíar Bollaín will bring new feature THE OLIVE TREE, written by Scottish screenwriter Paul Laverty, to Festival screens.
EIFF will also play host to a special screening to celebrate the 20th anniversary of Danny Boyle’s TRAINSPOTTING. It will also show the World Premiere of the newly 4K restored HIGHLANDER, attended by the film’s star Clancy Brown.
Other highlights include Henry Coombes’ debut feature SEAT IN SHADOW, a study of an eccentric artist who doubles as a Jung-inspired psychotherapist.
Preview screenings of the first three episodes of acclaimed BBC Alba Gaelic television show BANNAN with cast and filmmakers in attendance.
The World Premiere of Niall McCann’s documentary LOST IN FRANCE that charts the rise and success of Glasgow-based independent record label, Chemical Underground. The film will also play an integral part of Sound + Vision, a two-day film and music event that will take place at Summerhall, as part of Film Fest in the City.
This year’s Scottish Documentary Institute’s Bridging the Gap series will focus on the theme of Women. Lucie Rachel’s perceptive WHERE WE ARE NOW, Lindsay Brown’s SWAN, Wilma Smith’s THE REVIEW and Natalia Kouneli’s SILENT LAUGHS.
The Shorts Programme will in STRAWBERRY AND VANILLA by Tracey Fearnehough and Holger Mohaupt, TRANSIT ZONE by Frederik Subei and eight shorts from the Scottish Film Talent Network. These shorts include CROWMAN by Duncan Nicoll, DAVE by Garry J Marshall and Chris Watson, GRIMM STREET by Siri Rodnes, NO PLACE LIKE HOME by Cat Bruce, SPORES by Richard and Frances Poet, THE RAT KING by Pavel Shepan, MEET ME BY THE WATER by Raisah Ahmed, and David Cairns’ THE NORTHLEACH HORROR.
Finally, Scottish titles in the animation section include Ross Hogg and Duncan Cowles’ ISABELLA; and a trio of titles from Edinburgh College of Art students: ILLUSIONS by Dominica Harrison, THE LAST DAY from Muqing Shu, and Robert Duncan’s RECORD/RECORD.
Artistic Director Mark Adams said: “We are delighted to once again cast the spotlight on great Scottish talent at this year’s festival. It speaks so much about the breadth and variety of filmmakers, craftspeople and performers that our selection of projects featuring local talent shines so brightly.”
Natalie Usher, Director of Film & Media at Creative Scotland, said “EIFF is a key event in Scotland’s cultural calendar, offering audiences inspirational, world class cinema. With debut features like Graham Maley’s thriller PALE STAR and Mike Day’s breathtaking documentary THE ISLANDS AND THE WHALES, screening alongside Jason Connery’s powerfully moving TOMMY’S HONOUR and wickedly entertaining animation from the duo Will Anderson and Ainslie Henderson, EIFF is recognising and celebrating the wealth and depth of home-grown filmmaking talent supported by Creative Scotland.”
The 70th edition of EIFF runs from 15-26 June 2016

Captain America: Civil War ****

Running time 147 mins Cert: 12A

Synopsis: After a mission goes horribly wrong, the Avengers are told they must be regulated by the UN. Steve Rogers (Evans) resists, while Tony Stark (Downey Jr.) agrees with the decision. The team soon tears each other apart when Rogers’ friend Bucky (Sebastian Stan) aka The Winter Soldier resurfaces.

The last entry in the Captain America franchise, Anthony and Joe Russo’s The  Winter Soldier was surprisingly great. Making a comic book movie into a classic political drama with a 70’s feel was a refreshing take on a genre that has become increasingly overstuffed.

Unfortunately their follow up, Civil War which is based on a great graphic novel can not live up to the source material. 

The major problem with the latest instalment is the length. Too much time is taken with exposition, which makes the film drag until almost the second half of the film. Until a spectacular set piece on an airport runway involving most of the characters that have been introduced to the Marvel Universe so far.

Also as expected when dealing with an ensemble piece is that some characters are given less screen time than others, making the purpose of having them in the narrative seem a bit redundant.

The villain Zemo (Daniel Bruhl) is refreshing in that his motivation is not the usual world domination storyline that is usual seen in comic book movies. However the actual character himself is not really memorable as a great bad guy compared to other films.

What the filmmakers have done right is as stated before providing some jaw dropping action set pieces. Introducing two new characters that will be given their own franchises in the next few years. Chadwick Boseman gives a regal sensibility to Black Panther. While the real master stroke is revealing  the new Spider-Man (Tom Holland), whose enthusiasm and inexperience provides some excellent backchat towards the main players.

Not nearly downbeat or dull as Batman v Superman: Dawn of Justice, however Marvel’s Cinematic Universe’s really needs to evolve in order to make itself less repetitive than what they have been doing since Guardians and Iron Man 3.

Reviewed by Paul Logan

Edinburgh International Film Festival to screen Highlander for 30th Anniversary

Edinburgh International Film Festival has announced that a special 30th anniversary screening of the newly 4K restored HIGHLANDER, with special guests in attendance, will take place on Saturday 18th June 2016. 

Clancy Brown who played The Kurgan will be one of the guests in attendance.

Brown commented: “It’s taken a while, but I swore to myself that I would return again to Scotland after filming ‘Highlander’ 30 years ago where I first learned of Robert the Bruce, James Macpherson, The Fortingall Yew and, most blissfully, single-malt scotch whisky.”

 Mark Adams, EIFF Artistic Director said: “We are truly delighted to be screening this cult classic on its 30th anniversary. It is a vibrant, fun and thrilling film and just as entertaining as it was all of those years ago. Plus it features some magnificent Scottish locations. This will be a great celebratory event for the 70th edition of EIFF.”

Restored by Deluxe London, the restoration of ‘Highlander’ is based on a 4K scan of the original camera negative, followed by a full 4K workflow, with the approval of director Russell Mulcahy. The film will be released on DVD and Blu-Ray on 11th July complete with brand new bonus material.

Tickets priced £8/£6 will be on sale at 12noon on Monday 9th May and can be purchased here:

Edinburgh International Film Festival set to open with the World Premiere of Tommy’s Honour

The 70th Edinburgh International Film Festival will open with the drama ‘Tommy’s Honour‘ on 15th June 2016.
‘Tommy’s Honour’ tells the story of Tom Morris’ (Peter Mullan – ‘Trainspottng’) relationship with his son Tommy (Jack Lowden – ‘War & Peace’) who showed a remarkable talent of his own and matched his father’s sporting achievements. However, despite their shared passion, father and son clash over the unwritten rules of social class, culminating in Tommy’s marriage to a woman of lower standing who hides a shameful secret in her past. Tommy must choose between family loyalty and his dreams of forging his own path with the woman he loves beside him. Sam Neill (Jurassic Park) also stars as Alexander Boothby. 

Director Jason Connery commented: “It’s so exciting! I remember standing in the middle of a field in Fife during the shoot and saying to Peter and Jack, ‘Tommy’s Honour‘ might get into the Edinburgh International Film Festival, not in our wildest dreams did we think it would be the Opening Gala opening. That’s fantastic!”

Producer Bob Last adds: “It’s an honour to be back at EIFF for an Opening Gala, it means a lot to have Mark Adams and his team’s support for Jason Connery and our fantastic cast’s telling of an iconic Scottish story. We look forward to introducing our film to Scotland and to the Gala being the first step in taking ‘Tommy’s Honour’ to an international audience.”

 Producer Keith Banks also said: “Our film is a multi-faceted story that resonates across universal themes including father/son relationships, class struggle, deep romantic love, family love and love of a game and a culture. We are thrilled to be able to first showcase ‘Tommy’s Honour ‘to a live audience at such a respected international gathering via our world premiere at EIFF.”

 Mark Adams, EIFF Artistic Director commented: “We are proud to be staging the world premiere of ‘Tommy’s Honour’. It is a beautifully made film packed with memorable moments and terrific performances and reflects perfectly our intention to keep on bringing great Scottish projects to our audience.”

 Tickets go on sale at 12pm on Wednesday 27th April.

Whisky Galore! Remake will close the 70th Edinburgh International Film Festival

Edinburgh International Film Festival is delighted to announce that the much anticipated remake of the iconic Scottish comedy Whisky Galore! will close the 70th edition of the festival on Sunday 26th June 2016. 

Inspired by Sir Compton Mackenzie’s 1947 novel, Whisky Galore! is written by award-winning screenwriter Peter McDougall and based on the true story of a shipwreck off the coast of Eriskay of a ship sailing for America with a cargo of export-only alcohol during World War II. The Scottish islanders, in the midst of a wartime drought of whisky, are determined to take advantage of an unexpected windfall despite opposition from the local Home Guard Captain. 

 Shot on location entirely in Scotland, Whisky Galore! features an ensemble cast James Cosmo (Braveheart), Kevin Guthrie (Sunset Song), and Sean Biggerstaff (Harry Potter and the Chamber of Secrets) and Eddie Izzard (The Chronicles of Narnia: Prince Caspian).

 Director Gillies Mackinnon said: “I am delighted that Whisky Galore! will close the Edinburgh International Film Festival. This feels like the perfect and most appropriate world premiere for a film which is the remake of a Scottish film classic.” Producer Iain Maclean adds: “I remember watching the film many times, as a child growing up on the Hebrides, on television and of course in black and white. It’s wonderful to bring Sir Compton Mackenzie’s story about whisky and the islanders to a new generation of film fans through this year’s EIFF.”

 Artistic Director Mark Adams said: “We are absolutely delighted to be staging the world premiere of Whisky Galore! as closing night of this year’s festival. It is a delightful adaptation of a much-loved classic and will wrap up our 70th edition in memorable style.”

Tickets go on sale at 10am on Thursday 21st April 2016.


The Jungle Book *****


Running time 106 mins Cert: PG

Synopsis: Mowgli (Sethi), a man-cub is raised by a family of wolves. But when he is no longer welcome in the jungle due to the fearsome tiger Shere Khan (Elba), Mowgli must abandon the only home he’s ever known and embarks on a journey of self-discovery meeting a new friend Baloo (Murray) along the way.

After the success of Alice in Wonderland, Malificient and Cinderella, Disney continues remaking their classic animated features into live action pictures with the most beloved classic.

It was always going to be a huge gamble for the studio to tackle another version of The Jungle Book. But it could have been either good or a complete mess. Thankfully director Jon Favreau has delivered an unforgettable piece of family entertainment.

He has been careful to be faithful to the original novel as well as being respectful to the well loved 1967 animated movie. Favreau even uses dialogue and songs from the film with Bill Murray delivering a fun jazz infused ‘Bare Necessities’ and Christopher Walken singing a crooner version of ‘I Wanna Be Like You’.

The voice cast has been well chosen. Scarlett Johansson’s Kaa is unsettling and hypnotic. Ben Kingsley provides a strong impassionate voice to the panther Bagheera. Idris Elba is intense and scary as Shere Khan. Walken makes King Louie who is no longer a Orangutan, but a Gigantopithecus (extinct giant ape) into a Mafia Don which is funny and works well. SNL fans should look out for more Cowbell in the Monkey Temple scene. While Murray provides some much needed humour as well as stealing the show.

Newcomer Neel Sethi is remarkable as Mowgli. Not only does he look like the animated character but he also makes the same movements and gestures as seen in the movie. At times however he becomes a bit annoying, but this may not be due to the young boy’s performance, but rather that the character is full of his own self confidence.

The most unbelievable aspect is that almost everything expect Mowgli has been created by CGI. In fact at the end of the credits it is stated filmed in Downtown Los Angeles. The characters and scenery are so believable it is hard to forget it was all created by a computer. The images look even more spectacular in  3D and may be the most impressive F/X movie since Gravity.

The Jungle Book could have gone so horribly wrong, but is truly a delight to watch. It will be interesting to see if they can carry on with the success with Bill Condon’s ‘Beauty and the Beast’ next year.

Reviewed by Paul Logan

Zootropolis *****

Run Time: 108mins  Cert: PG
Synopsis: A freeless rabbit Judy Hopps (Goodwin) goes to the city to join the police, where she teams up with suave con artist fox Nick  Wilde (Bateman) on the trail of a missing otter. 

 Walt Disney Animation appears to be in the middle of another reinassance after a trail of successes with Tangled, Frozen, Wreckit Ralph and Big Hero 6. With their latest sure fire hit they have gone back and done a completely human less animated feature which has not been seen since The Lion King.
The great thing about this film is the script which is clever and witty, as well as being full of film and pop culture references including L. A. Confidential, 48 Hours, The Godfather, Chinatown and believe it or not a clever inclusion of Breaking Bad. Not only that but who would have believed a Disney kids movie would feature aspects of feminist, racism, and discrimination. 

Even although these topics are on the whole heavy going, the scriptwriter’s are never reach your with the subjects and it does actually bring more depth to the animal characters stories. The only minor point is the who dunnit plot is a little to easy to figure out.

The whole world has been given a great deal of thought. From little things on how the smaller animals are able to leave a crowded train to how each creature has there role. Elephants serving ice cream with their trunks to the hilarious scene involving sloths working at the DMV.
Disney’s animators have outdone themselves in creating  a colourful vibrant  world with funny, sympathetic characters. 

All the voice cast make each character memorable, especially by the two leads ‘Once Upon A Time’s’ Ginnifer Goodwin and ‘Arrested Development’s’ Jason Bateman who have great chemistry together.

Not to mention Michael Giacchino’s 70’s noir influenced score which gives the piece an even more dramatic presence.
Who would have thought that an inventive, clever, stunningly creative, fun  animated feature with a strong adult message would be a contender for film of the year.

Reviewed by Paul Logan

Batman vs Superman: Dawn of Justice **

Running time 151 mins Cert: 12A

: Eighteen months after the destructive battle with General Zod in Metropolis, Superman (Cavill) has become a controversial figure. Bruce Wayne (Affleck) who witnessed the death and destruction vows revenge on the Man of Steel.
Director Zack Snyder has had mixed results with his films. His first film the remake of ‘Dawn of the Dead’ was an impressive debut. While ‘Watchmen’ and ‘300’ were faithful, but incredibly dull adaptations. ‘Sucker Punch’ had a great concept and soundtrack but was a complete mess. ‘Man of Steel’ was fairly entertaining, but the plot is dragged on for far too long and the finale just becomes an overblown special effects fest.
Unfortunately the filmmaker has still not learned from his mistakes and if anything ‘Batman Vs Superman’ suffers even more problems. The character of Superman is even more dour, arrogant and unlikeable since the last time. This movie has even more complex special effects, and an over complicated plot which only reports to really being a setup for a Justice League movie (a DC version of the Avengers).
Screenwriters David S. Goyer (Man of Steel) and Chris Terrio (Argo) make a good decision building the movie around the collateral damage of ‘Man Of Steel’s’ climax. But the motivation for why both parties dislike each other makes little sense. The other thing is did we really need yet another Bruce Wayne backstory which has already been highlighted in every reiteration. They have also added too many characters with hardly anyone apart from the two leads given enough screen time past 10 mins.
Henry Cavill certainly looks the part and there is nothing really wrong with his performance it is just the way the character has been written and the way he has been directed.
On the other hand what is impressive is considering what he has to work with, Ben Affleck makes a great, vindictive and brooding Batman that it is completely different to Bale’s interpretation.
Gal Gadot’s Wonder Woman is a wonderful addition, but very underused. Jesse Eisenberg’s Lex Luthor appears to want to out perform Kevin Spacey and Gene Hackman with a fairly annoying performance, but at least he and Jeremy Irons who plays Alfred bring much needed humour and fun to this lifeless comic book movie.
Instead of The Dark Knight Returns adaptation, that comic book fans longed for they have been treated to a convoluted mess.

Review by Lesley Logan

Hail Caesar ****

Running time 100 mins Cert: 12A

Synopsis: in 1950’s Hollywood, Capitol Pictures is making prestige picture Hail, Caesar. When the star of the film (Clooney) disappears, the Studio’s boss Eddie Mannix (Brolin) has to bring him back, while  dealing with the other daily issues on the lot.

The Coen Bros return with another part of their so called Idiot franchise with George Clooney, after ‘O’ Brother Where Art Thou’, ‘Intolerable Cruelty’ and ‘Burn After Reading’.

For this film they have cast a variety of top names working in Hollywood today. Michael Gambon narrates. Scarlett Johansson is the pregnant starlet. Newcomer Alden Ehrenreich makes an impressive performance playing Hobie Doyle, the singing cowboy. Tilda Swinton has a double role playing identical twin gossip columnists. Ralph Fiennes is the fiery and precise Auteur. Channing Tatum, a singing and dancing sailor. George Clooney is the clumsy and goofy leading man.

However all these stars are nothing more than bit parts that build up to a bigger and intriguing take who the classic mystery drama. It is really Josh Brolin’s studio fixer who is the real key to the story as he solves problems, while tiring to locate the missing star.

The film feels like an authentic period piece thanks to Cinematographer Roger Deakins always impressive visual imagery, as well as the wonderful production designer and costume design.

Although the structure of the script is very episodic and never really flows, the film seems to work. The dialogue as would be expected is exquisitely written and the action set pieces move at a brisk place without ever being dull.

The Coen’s latest may not be for everyone, but given a chance this funny and intelligent love letter to a bygone era in movie making is a very rewarding cinematic experience.

Review by Lesley Logan

Star Wars: The Force Awakens: ****

Run Time:136mins Cert:12A

Luke Skywalker (Hamill) has vanished, with both the Resistance and the First Order are looking for him. Pilot  Poe Dameron (Isaac) obtains a clue to Skywalker’s whereabouts, until the First Order find Poe. He hides the clue in a droid called BB-8, with scavenger Rey (Ridley) and stormtrooper deserter FN-2187 (Boyega), helping the droid to deliver the clue to the Resistance.

After the disappointment from many fans regarding the previous trilogy, director J.J. Abrams brings the balance back to the force with a thoroughly entertaining blockbuster.

In fact he accomplishes what Lucas could not do with his own franchise. In that Abrams honours the legacy of Lucas’ fantasy world, while delivering better dialogue and plot to anything Lucas himself did with his so called prequels. This is due mostly by bringing back ‘The Empire Strikes Back’ veteran Lawrence Kasdan. 

Familiar themes are incorporated throughout the story, involving questions of family, fatherhood and loyalty. While this may appear to be lazy, they do give their own spin to the proceedings while delivering what the audience wants to see. Lucas’ attempted something new but became lumbered with unnecessary background filler for a sci fi action flick. Although the second act is not as strong as the first and the emotional final act appears to be slightly rushed.

The new cast more than holds their own against the old timers. In particular Daisy Ridley who brings an energy and innocence to Rey. Ford as would be expected steals the show as the legendary space pirate Hans Solo with his growling overgrown rug Chewbacca. Although new droid BB-8 almost outshines the classic character. The main villain Kylo Ren played by Adam Driver is an interesting take on a bad guy, as he is conflicted, confused  and lacks confidence in any of his actions.

Abrams also steers away from the stale CGI effects that were used in the last trilogy, by using mostly practical in camera effects which are incredibly impressive. 

Flawed, but exciting piece of entertainment with spectacular set pieces and compelling characters. Hopefully ‘Looper’ director Rian Johnson can deliver for the next sequel.

Reviewed by Paul Logan