Published: 316 articles

Star Trek Into Darkness ****


Run time: 131 mins Cert: 12A


Synopsis: Starfleet is under attack from vengeful terrorist John Harrison (Cumberbatch). James T. Kirk (Pine) must find and apprehend the criminal, before it is too late.


Director J.J. Abrams returns to the Captain’s chair of a franchise that was reinvigorated the last time he was at the helm.


For the first film Abrams not only made one of the best Trek movies in years, but he also made the series more interesting to non Trekkies too.


In this follow up, the overall tone is darker with some more comedic moments than the first film.


Without the weight of establishing how these characters met and their individual timelines, the filmmakers have concentrated more on exploring the actual dynamics of Spock and Kirk’s relationship. While ramping up the relentless action sequences.


This is a minor complaint about the overall structure of the plot. In that with so much going on within the set pieces, it feels like there is too much to focus on at one time. An over sensory meltdown of never ending battles.
On the other hand it never feels long and extremely fun.


The returning cast work extremely well together. Chris Pine gives Shatner a run for his money, while Zachary Quinto was born to play Spock. Simon Pegg’s Scotty has more screen time and also some of the best lines.


The biggest improvement has been with the villain of the movie. In the first film the character of Nero felt weak and underdeveloped. The same cannot be said of John Harrison. This character is complex and calculating.


Benedict Cumberbatch underplays Harrison which gives the character a sense of mystery which is essential for a plot full of twists. He has the larger-than-life presence to play the foreboding enemy that Kirk needs.


The writers have stuck closely to the original television and film series with this story. Towards the end of does feel like a bit of a parody of those versions.


Nevertheless most audiences will be enthralled with this latest entry of the the series. This film shows that J.J. Abrams is a fantastic choice for the next episode of the Star Wars franchise.


Reviewed by Paul Logan

Newsreel (W/e 12 May 2013)


Tom Cruise to reprise the role of Ethan Hunt for Mission: Impossible 5.


Christopher McQuarrie is to write & direct a remake of the Cold War thriller Ice Station Zebra.


Shane Black to co-write & direct Doc Savage.


Director Bryan Singer confirms that X-Men: Days of Future Past is being shot in 3D.


MGM is moving forward with Hot Tub Time Machine 2, but with Parks and Recreation Adam Scott to star as John Cusack will not be returning.


Warner Bros. is planning a Dungeons & Dragons movie.


Jurassic Park 3’s Joe Johnston is to direct John Travolta in Gotti.


Andrew Garfield & Ken Watanabe are to star in Martin Scorsese’s Silence.


Universal postpones release of Jurassic Park 4.


Game of Thrones’ Richard Madden has been cast as the Prince in Disney’s live-action Cinderella.


Robert Redford is to direct & star in A Walk in the Woods, with Nick Nolte in the adaptation of Bill Bryson’s 1998 novel.


First CG-animated Marvel film from Disney will be Big Hero 6 is to be released in 2014.


Owen Wilson, Joaquin Phoenix & Benicio Del Toro to star in Paul Thomas Anderson’s big screen adaptation of Thomas Pynchon’s Inherent Vice.


William Fichtner has joined the cast of Teenage Mutant Ninja Turtles. Could he be playing Shredder?


Disney has a shortlist of directors for Pirates of the Caribbean 5, Rupert Sanders & Necessary Death of Charlie Countryman’s Fredrik Bond.


WB moves 300 sequel from August to March 7, 2014, and All You Need is Kill from that date to June 6, 2014.


Star Wars: Episode VII is to shoot in the UK.


Timur Bekmambetov is to produce Squirrels, a new horror-thriller.


Robert Downey Jr. is set to team with his Iron Man & Iron Man 2 directorJon Favreau for the indie comedy Chef.


Chloë Moretz is set to appear opposite Denzel Washington in The Equalizer.


Iron Man 3 continues the battle at the top of the U.S. box-office, while The Great Gatsby surprises everyone at a second place spot.


R.I.P. Ray Harryhausen

Opening & Closing films of the Edinburgh International Film Festival


Drake Doremus’ emotional drama Breathe In will open this year’s Edinburgh International Film Festival on 19 June 2013.


The film follows broke cellist Pearce, whose life is turned upside down when a British exhange student comes to stay with his daughter.


EIFF’s director Chris Fujiwara commented: “In a healthy year for American cinema, Breathe In is clearly a stand-out. It’s an emotionally powerful, beautifully understated and intelligent work from director-writer Drake Doremus, who reveals tremendous sensitivity, style and skill. He also draws superb performances from Guy Pearce and Felicity Jones. Breathe In is the ideal opening film for our festival this year.”


Doremus will attend the European premiere in Edinburgh for the film.


There will also be a retrospective of director Richard Fleischer. The filmmaker made a variety of Hollywood movies ranging from film noir to science fiction.


“Some of Fleischer’s films, such as The Vikings and Fantastic Voyage, are fantasies that can be appreciated on one level by children and on other levels by adults. Others, such as The Girl In The Red Velvet Swing, The Boston Strangler and 10 Rillington Place, are sophisticated thrillers that work in unpredictable ways to engage and challenge the viewer. He is a great director to study to see how the most mainstream forms of film entertainment can be filled with artistic purpose and imagination,” said EIFF artistic director Chris Fujiwara.


The retrospective includes Joan Collins as The Girl in the Red Velvet Swing (1955), The Narrow Margin (1952) , Rachel Welch in Fantastic Voyage (1966), Tony Curtis and Henry Fonda in The Boston Strangler (1968), Richard Attenborough and John Hurt in 10 Rillington Place (1971).


While the Festival will close with the world premiere of John McKay’s Not Another Happy Ending, which stars Doctor Who’s Karen Gillan.


When struggling, maverick publisher Tomas Duval (Stanley Weber) discovers his only successful author Jane Lockhart (Gillan) has writer’s block. He knows if he does not unblock her, that he is finished. With her newfound success, she’s become too happy and she can’t write when she’s happy. The only trouble is, the worse he makes her feel, the more Tomas realises he is in love with her.


Chris Fujiwara, EIFF Artistic Director, said: “Speaking as somebody who, before coming to Scotland, knew Scotland partly through its portrayal in films, I’m really excited to find in Not Another Happy Ending a fresh, interesting, and almost idyllic take on the cultural vibrancy of Scottish city life. The film also shows how well the time-honoured genre of romantic comedy can work in the contemporary Scottish context. The film will add just the right note of celebration with which to close our festival this year.”


Producer Claire Mundell called the film “unashamedly upbeat, romantic and funny”.


This year’s EIFF runs 19-30 June. It will also see the revival of the missed Audience Award, returning after a two year absence.

Newsreel (W/e 5 May 2013)


James Franco has signed on to direct & star in an adaptation of Andre Dubus III’s The Garden of Last Days.


A new adaptation of Shakespeare’s Macbeth is in the works with Michael Fassbender to star & Snowtown director Justin Kurzel to helm.


Jamie Foxx is in talks to play Daddy Warbucks in Will Gluck’s musical adaptation Annie, although he will be renamed Benjamin Stacks.


Kevin Costner is set to star & produce the indie drama Black and White for director Mike Binder.


Jon Hamm joins the cast of Minions, the Universal Pictures animation is a spin-off of Despicable Me.


Sharlto Copley has been cast in District 9 director Neill Blomkamp’s Chappie.


Downton Abbey’s Lily James has been cast in the lead role of Disney’s Cinderella.


Michael Mann set to direct Agincourt, an adaptation of Bernard Cornwell’s 2008 novel.


Bradley Cooper is the latest cast member to leave the production of troubled western Jane Got a Gun. Ewan McGregor has now stepped into the role.


Robert De Niro is to star in Candy Store from Syriana director Stephen Gaghan.


Jason Bateman stars in a mysterious new Walt Disney Animation, which is an animal comedy to be directed by Tangled’s Byron Howard.


Despicable Me 2 has lost one of its leading voice talents, as Al Pacino has departed the project over creative differences. Benjamin Bratt replaces him.


Men in Black 4 is now on development.


Iron Man 3 takes a big dent into the U.S. box-office.

Iron Man 3 *****


Run time: 130 mins Cert: 12A


Synopsis: Tony Stark (Downey Jnr.) finds his personal world destroyed by a new enemy called The Mandarin (Kingsley). A global terrorist who will stop at nothing to achieve world domination. Tony is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him.


Mismatched buddies, snow, bromance and Christmas, it must be another movie from writer/ director Shane Black. After making his debut feature with the clever Kiss, Kiss, Bang, Bang, Black has decided to enter the world of superheroes as his follow up feature.


No mean feat, since Iron Man 2 was a complete train wreck with too many villains and dull set pieces. Thankfully the bad guys are anything but dull. While the action scenes maybe over the top, but they are exciting and fun at the same time.


The two villains in this instalment are Aldrich Killian (Guy Pearce) and The Mandarin (Ben Kingsley). Killian appears to be a rather one dimensional character, but Pearce plays the part with relish making this slimy, crazy baddie memorable.


With The Mandarin, Black has decided to go with an alternative version compared to the source material. In the comic books, the character is a kind of Ming the Merciless figure. Now he is a terrorist leader trying to bring terror to the west. Which works better for the film and with one great twist. Kingsley completely hams it up to the max in his performance.


In regards to the other characters, Pepper Potts (Gywneth Paltrow) is given more to do and even wears the Iron suit. Happy Hogan (Jon Favreau) is given some of the funniest material. While Rhodes (Don Cheadle) and Stark have more time to bond in a Lethal Weapon style relationship. Which is funny considering that film was Black’s first screenplay. Stark is more reserved in this film at the start, but this does not stop Robert Downey Jnr’s slick trademark wisecracks.


The actual plot flows between the general comic arc to a spy influenced narrative, which gives the movie a unusual but unique take on the genre. It takes elements from the Extremis comic-book storyline. There are more humour and twists compared to the previous sequel.


A much better movie than the previous film and a better script than last year’s The Avengers. If rumours are true and this is Downey Jnr’s last Iron Man film, then he has gone out in style. Stay till the end of the credits for an amusing scene that Marvel fans will get a kick out of.


Reviewed by Paul Logan

Newsreel (W/e 28 April 2013)


A sequel to Dodgeball: A True Underdog Story is in the works.


Ophelia Lovibond joins the cast of Marvel’s Guardians of Galaxy, while Pushing Daisies Lee Pace is set to play the villain.


Robert De Niro & Shia LaBeouf are in talks to play a father-son spy duo in Spy’s Kid.


The UK release date of The World’s End is moving forward to July 19th 2013. While Kick-Ass 2 has been delayed to August 14th.


Insomniac Games announces that an animated Ratchet & Clank movie is coming to theaters in 2015.


Zack Snyder is rumoured to be directing the Justice League.


The director of Expendables 3 will be Red Hill’s Patrick Hughes.


Warner Bros. has put its Vacation reboot plans on hold indefinitely due to creative differences.


Armie Hammer is set to star opposite Tom Cruise in Guy Ritchie’s The Man From U.N.C.L.E.


Guillermo del Toro is teaming with Sherlock & Doctor Who screenwriter Steven Thompson to bring Naoki Urasawa’s manga series Monster to HBO.


Scarlett Johansson is set to be Luc Besson’s Lucy.


George Clooney & Grant Heslov will produce an adaptation of Joshuah Bearman’s article, Coronado High.


Johnny Depp & Meryl Streep are in talks to star in Rob Marshall’s Into the Woods for Walt Disney Pictures.


Pain & Gain works it’s way up to the top of the U.S. box-office.

21 Days: The Heineken Kidnapping (De Heineken ontvoering): ***


Run Time: 127 mins. Cert: 15


Synopsis: A group of young men decide to kidnap lager mogul Freddy Heineken, will they get away with the one of the most daring crimes in Dutch history?


Rutger Hauer returns with his first Dutch Language film in many years. The movie is loosely based on an incident in Holland in 1983, when a local beer magnate was kidnapped from outside his home and held in a small cell.


Rem (Reinout Scholten van Aschat) is a small time street thug looking for an easy way out of poverty. When he overhears his brother-in-law Cor (Gijs Naber) plotting a kidnapping, Rem suggests that their target should be the multi-millionaire brewery president Freddy Heineken. It is not just the businessman’s wealth that attracts Rem to this plan. He also blames him for his father’s failing health due to alcoholism after being fired as a Heineken salesman.


Heineken is only released 21 days later after the ransom has finally been paid. With the police closing in only Rem and Cor manage to flee to France. Freddy Heineken begins his own quest for revenge, but will he be able to negotiate with the legal authorities for extradition?


The narrative is split into two sections, the first half being Rem’s story and the second act is all about Heineken’s anger and what affect this has on his life. But despite a well balanced idea, there is a distinct lack of any character development apart from the protagonist who we learn more about as the story goes on. Apart from a few personal moments with Rem’s family, there is very little known about the kidnapper’s themselves. In fact the kidnapping occurs within the first twenty minutes of the film.


There is also too much going on within the piece, with little or no information about the plans. The ransom just seems to happen, nothing is seen from the Heineken family’s point of view or of the actual negotiation. Even the final confrontation is a bit underwhelming, which leaves no resolution for either character.


Hauer as always does not disappoint with an emotional and complex portrayal of a man who struggles to understand what has happened to him, but realises what kind of person he has been to the people around him. The character is almost in tone with Ebenezer Scrooge. While Scholten van Aschat brings intensity to his performance, but unfortunately there is no sympathy for his character even with the back story about his father.


An interesting kidnapping drama that feels a little rushed even at two hours, but there is enough to keep audiences entertained.

Reviewed by Paul Logan

Spring Breakers ****


Run Time: 93 mins. Cert: 18

Synopsis: Directed by Harmony Korine, “Spring Breakers” tells the story of four college age girls who go to Florida over Spring Break and find themselves involved in various crimes.


The movie begins when friends Faith (Selena Gomez), Candy (Vanessa Hudgens), Brit (Ashley Benson) and Cotty (Rachel Korine) take extreme measures in order to raise money for their Spring Break to Florida. Having succeeded without being caught, the girls head to Florida where they get involved in a party lifestyle and meet rapper and local criminal Alien (James Franco).


The film is completely different to what the viewer would expect from its trailer. While the trailer gives the impression “Spring Breakers” will be a rather cheesy movie with young women in bikinis, the actual film goes a lot deeper and is a truly messed up art house movie.


The story is entertaining and has a number of twists. While it could easily have been predictable, the final outcome is surprising and leaves the audience wondering happened next. Having planned a wild and carefree holiday, the girls find themselves in situations they never expected.


James Franco gives a great performance in the movie. The way in which Alien dresses and talks makes the actor almost unrecognisable and shows how versatile he is. The girls also give good performances with Selena Gomez as innocent, churchgoing Faith and the Hudgens, Benson and Korine as three rebellious young women who will go to great lengths to enjoy life while not thinking of the consequences.


The soundtrack includes dance music, rap and a rather eery version of Britney Spears’ “Every Time”. After seeing the scene in which the song is performed, the audience is unlikely to view it in the same way. Along with the rest of the soundtrack, this works well with the film.


Overall, “Spring Breakers” is interesting and entertaining. For those who like art house films with a messed up side, the movie is a must see.

Reviewed by Lesley Logan

Newsreel (W/e 21 April 2012)


Seinfeld’s Danny Woodburn will star as Master Splinter in the Michael Bay-produced Teenage Mutant Ninja Turtles.


Tom Cruise is to star in Warner Bros. sci-fi movie Yukikaze, based on an adaptation of the book by Japanese author Chohei Kambayashi.


Cillian Murphy joins the cast of Wally Pfister’s Transcendence.


Christopher Nolan’s Interstellar and Michael Bay’s Transformers 4 will use footage shot in IMAX.


Universal Pictures has announced sequels to Snow White & the Huntsman, Pitch Perfect & Ted.


Fast & Furious 7 set to be directed by Saw’s James Wan given a release date of July 11, 2014.


Michael Rooker is to star in Marvel’s Guardians of the Galaxy, as Yondu one of the four founding superheroes.


Nathan Fillion, John Krasinski & Bonnie Hunt been been announced as additional voice artists for Monsters University.


Walt Disney Pictures & Lucasfilm confirms that Star Wars: Episode VII will hit theaters in 2015 & every summer will offer a new movie.


John Cusack is set to play The Beach Boys’ Brian Wilson in Love & Mercy.


DreamWorks Animation has confirmed that a sequel to The Croods is in development.


Universal & Joel Silver set to remake John Hughes’ classic Weird Science.


Game Of Thrones director Brian Kirk is to direct the Keenu Reeves’ sci-fi thriller Passengers.


Fox is to release a Charlie Brown movie in 3D animation for 2015.


Oblivion cruises to the top of the U.S. box-office.

The Place Beyond The Pines *****



Run time: 141 mins Cert: 15


Synopsis: A Sideshow stunt rider Luke (Gosling) meets Romina (Mendes), who he discovers is now mother to a son he never knew he had. Luke decides the quickest way to provide for his son is to become a bank robber.


Director Derek Cianfrance reunites with Ryan Gosling after his stunning romantic feature, Blue Valentine.


This time Cianfrance focuses on father issues and breaking up of families in this slow paced film that follows different characters in each of the three acts in the film.


The first act follows Gosling’s character from discovering that he is a father to planning bank robberies in order to provide for him. The second involves Bradley Cooper’s heroic cop who is caught in the middle of a situation when he discovers that his colleagues are corrupt. The final part goes full circle when Cooper’s son meets Gosling’s kid.


An intricate and ambitious piece of cinema, which over a 17 year period brings together two different social generations into one movie. The narrative goes between a traditional American epic drama and a Greek tragedy.


The first two acts are believable and realistic in tone. In the third act the story descends into a path, which involves the audience taking a step back and believing in the coincidence of these two characters meeting. The final stage almost has a dreamlike quality to the drama.


Storytelling is enhanced by a variety of performances from a talented cast. Gosling gives a mesmerising turn playing a complex moody individual, by using looks rather than aggressive actions.


Cooper is also memorable as a man caught between ethics and loyalty. The two leads are supported by a great cast including Ray Liotta, Eva Mendes and Rose Byrne.


A haunting, memorable beautifully made piece of cinema, but feels slightly flawed and strained towards the finale. However the film will leave a lasting impression on the audience.


Reviewed by Paul Logan