Zootropolis *****

    
Run Time: 108mins  Cert: PG
Synopsis: A freeless rabbit Judy Hopps (Goodwin) goes to the city to join the police, where she teams up with suave con artist fox Nick  Wilde (Bateman) on the trail of a missing otter. 

 Walt Disney Animation appears to be in the middle of another reinassance after a trail of successes with Tangled, Frozen, Wreckit Ralph and Big Hero 6. With their latest sure fire hit they have gone back and done a completely human less animated feature which has not been seen since The Lion King.
 
The great thing about this film is the script which is clever and witty, as well as being full of film and pop culture references including L. A. Confidential, 48 Hours, The Godfather, Chinatown and believe it or not a clever inclusion of Breaking Bad. Not only that but who would have believed a Disney kids movie would feature aspects of feminist, racism, and discrimination. 

Even although these topics are on the whole heavy going, the scriptwriter’s are never reach your with the subjects and it does actually bring more depth to the animal characters stories. The only minor point is the who dunnit plot is a little to easy to figure out.

The whole world has been given a great deal of thought. From little things on how the smaller animals are able to leave a crowded train to how each creature has there role. Elephants serving ice cream with their trunks to the hilarious scene involving sloths working at the DMV.
 
Disney’s animators have outdone themselves in creating  a colourful vibrant  world with funny, sympathetic characters. 

All the voice cast make each character memorable, especially by the two leads ‘Once Upon A Time’s’ Ginnifer Goodwin and ‘Arrested Development’s’ Jason Bateman who have great chemistry together.

Not to mention Michael Giacchino’s 70’s noir influenced score which gives the piece an even more dramatic presence.
 
Who would have thought that an inventive, clever, stunningly creative, fun  animated feature with a strong adult message would be a contender for film of the year.
 

Reviewed by Paul Logan

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