Monthly archives "March 2016"

Batman vs Superman: Dawn of Justice **



Running time 151 mins Cert: 12A


Synopsis
: Eighteen months after the destructive battle with General Zod in Metropolis, Superman (Cavill) has become a controversial figure. Bruce Wayne (Affleck) who witnessed the death and destruction vows revenge on the Man of Steel.
 
Director Zack Snyder has had mixed results with his films. His first film the remake of ‘Dawn of the Dead’ was an impressive debut. While ‘Watchmen’ and ‘300’ were faithful, but incredibly dull adaptations. ‘Sucker Punch’ had a great concept and soundtrack but was a complete mess. ‘Man of Steel’ was fairly entertaining, but the plot is dragged on for far too long and the finale just becomes an overblown special effects fest.
 
Unfortunately the filmmaker has still not learned from his mistakes and if anything ‘Batman Vs Superman’ suffers even more problems. The character of Superman is even more dour, arrogant and unlikeable since the last time. This movie has even more complex special effects, and an over complicated plot which only reports to really being a setup for a Justice League movie (a DC version of the Avengers).
 
Screenwriters David S. Goyer (Man of Steel) and Chris Terrio (Argo) make a good decision building the movie around the collateral damage of ‘Man Of Steel’s’ climax. But the motivation for why both parties dislike each other makes little sense. The other thing is did we really need yet another Bruce Wayne backstory which has already been highlighted in every reiteration. They have also added too many characters with hardly anyone apart from the two leads given enough screen time past 10 mins.
 
Henry Cavill certainly looks the part and there is nothing really wrong with his performance it is just the way the character has been written and the way he has been directed.
 
On the other hand what is impressive is considering what he has to work with, Ben Affleck makes a great, vindictive and brooding Batman that it is completely different to Bale’s interpretation.
 
Gal Gadot’s Wonder Woman is a wonderful addition, but very underused. Jesse Eisenberg’s Lex Luthor appears to want to out perform Kevin Spacey and Gene Hackman with a fairly annoying performance, but at least he and Jeremy Irons who plays Alfred bring much needed humour and fun to this lifeless comic book movie.
 
Instead of The Dark Knight Returns adaptation, that comic book fans longed for they have been treated to a convoluted mess.

Review by Lesley Logan

Hail Caesar ****



Running time 100 mins Cert: 12A

Synopsis: in 1950’s Hollywood, Capitol Pictures is making prestige picture Hail, Caesar. When the star of the film (Clooney) disappears, the Studio’s boss Eddie Mannix (Brolin) has to bring him back, while  dealing with the other daily issues on the lot.

The Coen Bros return with another part of their so called Idiot franchise with George Clooney, after ‘O’ Brother Where Art Thou’, ‘Intolerable Cruelty’ and ‘Burn After Reading’.

For this film they have cast a variety of top names working in Hollywood today. Michael Gambon narrates. Scarlett Johansson is the pregnant starlet. Newcomer Alden Ehrenreich makes an impressive performance playing Hobie Doyle, the singing cowboy. Tilda Swinton has a double role playing identical twin gossip columnists. Ralph Fiennes is the fiery and precise Auteur. Channing Tatum, a singing and dancing sailor. George Clooney is the clumsy and goofy leading man.

However all these stars are nothing more than bit parts that build up to a bigger and intriguing take who the classic mystery drama. It is really Josh Brolin’s studio fixer who is the real key to the story as he solves problems, while tiring to locate the missing star.

The film feels like an authentic period piece thanks to Cinematographer Roger Deakins always impressive visual imagery, as well as the wonderful production designer and costume design.

Although the structure of the script is very episodic and never really flows, the film seems to work. The dialogue as would be expected is exquisitely written and the action set pieces move at a brisk place without ever being dull.

The Coen’s latest may not be for everyone, but given a chance this funny and intelligent love letter to a bygone era in movie making is a very rewarding cinematic experience.

Review by Lesley Logan